In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.

In a gallery space full of objects and past sculptures from my studio, I performed a series of unrehearsed actions, enacting processes of becoming by assuming ensemble forms with the objects that perpetually evolved and dissolved. This was witnessed by a photographer in black and white. The series was edited to approximately 30 slides that were projected back into the space and accompanied by ephemera of the performance.